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In grad school at CalArts, my film work became concerned with examining landscape, and experimenting with the optical printer.
In grad school at CalArts, my film work became concerned with examining landscape, and experimenting with the optical printer.
Sunset (2012)
A journey with a Bolex down Sunset Boulevard, from the Pacific Ocean into the heart of the city.
Impossible Chase (2012)
A motorcyclist is subjected to an optical reworking — stroboscopic layers collide, blend, and fade away. For Charlotte Pryce.
Poppy Fields Forever (2012)
Visions of a flower valley, saturated with the intoxicating colours of dreams gone by. Lovingly filmed on a single roll of Kodak's 7285 100D color reversal in Antelope Valley, CA. For James Benning
Larimar (2014)
A girl explores a luminous beach as a mysterious voice pushes reality deeper into sublime abstraction. The film reveals the simultaneity of stillness and change in the sea, ultimately transforming into a hypnotic search for our lost Edenic origins.
5 Second Noir (2012)
A femme fatale, a deal gone wrong, the city at night.
Notturno (2011)
"The film was made by painting directly onto 16mm film, in the tradition of artist-filmmakers who often mix handmade approaches and out-of-date equipment to create unusual film experiences. As with other films by Warren, Notturno forgoes a language-based narrative in favor of a staccato sequence of images, emphasizing feeling over storyline." - Chief Curator Mark Scala, Frist Center for the Visual Arts
Venice Beach, CA (2010)
An observational portrait of the skate park in Venice Beach..
Rapid Landscape (2010)
Fossil Falls, CA. Shooting Landscapes with James Benning.
Night of the Hunter [remake] (2009)
A CalArts narrative experiment, remaking a scene from the strange and beautiful 1955 cult classic directed by Charles Laughton.